Friday, 25 November 2011
Albums and layout designs- last chance for Christmas orders
Friday, 11 November 2011
This frail travelling coincidence
All down the line
Fresh couples climbed aboard: the rest stood round;
The last confetti and advice were thrown,
And, as we moved, each face seemed to define
Just what it saw departing: children frowned
At something dull; fathers had never known
Success so huge and wholly farcical;
The women shared
The secret like a happy funeral;
While girls, gripping their handbags tighter, stared
At a religious wounding.
An odd morning today, so something of an odd blog post. In celebration of it being 11th November 2011, Domkyrkan, one of Göteborg's principle churches, was marking the occasion with 11 simultaneous weddings which I clearly couldn't resist getting a part of. Now, I've always maintained that no two weddings are remotely alike, and was quite interested to see what this would actually look like in practise. And it was pretty impressive as young, old, gay, straight, single white roses and lös godis bouquets, traditional-white, baroque and Disney-Princess all came striding through the church yard one after another. It was all a bit of a PR event in some ways with a fair bit of corporate sponsorship kicking around and a fair portion of press, but it was quite a spectacle, watching eleven couples all standing at the altar at the same time. I don't know how the day worked. They all arrived together, but did any of them know each other? Had they chatted at the rehearsal? Would some of them link up on facebook? Judging by the sheer diversity of style, most of them didn't seem to have a great deal in common, and yet there they were all lining up together for possibly the most significant moments of their lives, at least in a symbolic sense. I wondered who they were exactly to want to have their wedding wrapped up on a Friday morning and witnessed by so many strangers.11
Free at last,
And loaded with the sum of all they saw,
We hurried towards London, shuffling gouts of steam.
Now fields were building-plots, and poplars cast
Long shadows over major roads, and for
Some fifty minutes, that in time would seem
Just long enough to settle hats and say
I nearly died,
A dozen marriages got under way.
They watched the landscape, sitting side by side
—An Odeon went past, a cooling tower,
And someone running up to bowl—and none
Thought of the others they would never meet
Or how their lives would all contain this hour.
So what's with all the Philip Larkin? Couldn't help but be reminded of it as total strangers shared such an important event and were then whisked off into the waiting crowd outside of twenty four families, friends and countless passers by. It's a feeling I often get packing up my kit at the end of a job while the disco is getting into full swing. I well recognise the immense privilege to be part of somebody else's wedding, to have watched their ceremony, listened to often intensely personal speeches about people whom, for all our discussions, I have only met a handful of times and to have been trusted to take the wedding photographs of. And then, while I'll be going over the pictures for a couple of weeks afterwards, and while there'll still be album designs to be discussed and, hopefully, baby and family portraits to look forward to, my taxi will arrive and I'll be on a train back to London. And, like the eleven couples married this morning, everyone who shares in that moment together will part ways into an unknown, hopefully happy, and unquestionably unique, future
I thought of London spread out in the sun,
Its postal districts packed like squares of wheat:
There we were aimed. And as we raced across
Bright knots of rail
Past standing Pullmans, walls of blackened moss
Came close, and it was nearly done, this frail
Travelling coincidence; and what it held
Stood ready to be loosed with all the power
That being changed can give. We slowed again,
And as the tightened brakes took hold, there swelled
A sense of falling, like an arrow-shower
Sent out of sight, somewhere becoming rain.
Tuesday, 25 October 2011
Sarah and George
Some Irish wedding photography this time, for Sarah and George in Lismore Cathedral a short distance from Sarah's family home. With a request for a minimum of formal shots and a friend handling the bridal shoot while I met up with George and his groomsmen and no photography that would interrupt the service, it was mostly a day of reportage, but in truly spectacular surroundings.
I was in Lismore for a couple of days, but unfortuneately the weather didn't co-operate and so it was mostly indoor reportage with off-camera speedlights and a chance to show off the low-noise capabilities of the D700. Being indoors for this wedding was no bad thing at all though. The Cathedral and the house were decked in some of the most impressive flower displays I’ve ever seen. The interior itself was extraordinary in its grandeur, most notably the staircase which, as well as functioning as my best way to see over the crowd, we managed to arrange the entire wedding party onto for the group shop opposite, which went extremely smoothly and got the whle party straight from the dining room to the dance floor.
As with all the best weddings, things finished off with a Ceilidh and compliments have to go to the two impromptu bouts of folk singing that went with it.
A couple of montages
Wednesday, 28 September 2011
Folksuniversitetet, Japanese wedding, and then some
Monday, 19 September 2011
New preview, and Wedding-Whippet
Jeremy&Louise full album now up
Tuesday, 13 September 2011
Will and Julia preview
Saturday, 27 August 2011
Jeremy and Louise Preview
Wednesday, 3 August 2011
Wednesday, 20 July 2011
Away for a bit
Friday, 8 July 2011
Luke&Emily preview
Thursday, 30 June 2011
Pro-shoot, with a sprinkling of lomo
Well, it's been a late star this year, but the 2011 summer wedding season is clearly here with two venue-visits, four client meetings and a wedding all in the next four days. Got a fun wedding to start the season with on Saturday, mixing some high resolution full-frame DSLR perfection in a 500-year-old college, with hipster lomography wizardry in a hotel/converted-prison. Intrigued? See here later in a few weeks for the results.
Sad news just come in that the long-awaited studio for September has fallen through and but plans remain to get something set up soon and, in the meantime, at-home lighting sets and portrait shoots are still going.
And, for those of you wanting to test your creative photography, here's a challenge for you:
Wednesday, 1 June 2011
Matilda och Paul
Monday, 21 March 2011
Back in the driving seat
Spring is here, and with it the return of the blog. I realised the other day that not only has it been months since I updated this, I didn't even sign off with the end of the season back in November (there was to be an update at Christmas, but a batch of what I like to tell people was Swine flu put everything else on hold for a bit).
So what do photographers in chilly climates do outside the wedding season? It's been fairly quite really, trying to get myself registered in Sweden and getting ready to start here in earnest just as soon as I get a final few confirmations from Migrationsverket which will allow me to set up a company here. Big news is that there's also studio coming together, but more on that another time.
Highlight of the off-season is always the SWPP convention in London. The SWPP is the UK's principal Society for Wedding and Portrait photographers who host one of the largest conventions of its type in January. It's a great chance to keep up to date with developments in the industry as well as to experience some really inspiring talks and demonstrations and of course the trade fair which never ceases to amaze with the number of toys to play with and the quality of some of the product offerings, although I'm still a firm believer that Loxley Colour still have the edge.
It's also a very good time for a bit of professional development and an opportunity to spend some more leisurely time honing skills behind the lens instead of in front of the editing screen. I was able to attend a workshop at the end of last year with Adam Alex , one of the UK's bigger names. Very interesting approach he has and looking forward to offering a more contemporary twist to my standard shoot this year to couples who want to include a touch of fashion inspired photography to their albums (but not Benetton... I have my limits.)
Right, that's enough for now... but good to be back and watch this space.